Standing as Witness

Teaching for a sense of belonging

I am standing on the road in a moment of yield. Imagining what lies ahead while simultaneously sensing all the residual energy behind me, guiding me. I think of the physical movement forward that lead me to being here, now, in this exact moment of pause at the center of the road. As I turn my head to see where I came from, I recall that in movement is always where I found and felt my sense of belonging. A group of others I felt a connection to, spoke my embodied language, and understood me at my core.

I’ve always felt different and unable to connect with what seemed most valued in our culture— wealth acquisition, competition, consumerism, productivity, climbing corporate ladders. All I wanted was to move, create, contribute, and to be seen. To truly feel seen beyond the surface. I wanted to feel connected and understood. Going through much of life not feeling understood carried a weight with it, a disconnect. It made it hard for me to relate and understand the strivings of others. This went both ways whereas I may not understand things like the desire to upgrade to the newest smartphone, they may not understand my desire to dance barefoot in the forest. Over the years taking a deep dive into movement has been a process of identifying a place for me to belong and somewhere that I felt I could contribute and add value to others. This is where movement revealed its potential as a powerful mediator. 

Body and Movement as Common Language

The physical body and the experience of movement hold powerful tools for connecting and belonging. A physical body is something we all share, a common denominator. We exist in it everyday and none of us can escape it until death. We can chose to try and hide our body, neglect it, beat it down, outsource its work, ignore it, but it will always be with us. We need our bodies for expression, to connect with others, to connect with self, and the beauty of the moving body is that no words are required to express oneself. 

Movement gives understanding without needing language. Movement is required for every second of every day, and this alone ties us together. This alone helps us relate. It forms a connection. It’s no longer just me, it’s we. Body and movement highlighting our collective humanity. “Hey, I have a body too. I move too. I desire to be seen too.” As soon as a movement is witnessed by someone else, then that moment is shared. Movement provides us with a sense of belonging and relating, not just to our own body, but to a greater sense of connection with others outside ourselves–beyond our kinespheres. Our bodies are just waiting full to the brim with movement possibilities. What if you let your movement be witnessed? Your physical body be witnessed? How would that feel? Is that thought terrifying? Would it be worth it?

Enter the witness

I think movement is richer and more meaningful when we have a witness. Sometimes this witness is a friend, a lover, a teacher, a classmate, and sometimes it’s the trees as they quietly take in CO2 and create oxygen around us.

This level of connection is why I love teaching students one-on-one, to play witness as I curate and facilitate an environment that a student feels safe and seen. The growing trust as session to session the student sees themselves building their movement vocabulary and expanding their capabilities. Challenging their mind to what’s possible with this vessel they’ve been entrusted with for their lifetime. This is why I enjoyed the relationship building element of teaching a deep movement practice that demands mind and body involvement. It’s never just “giving a workout”. It’s a dance in and of itself requiring listening from both parties. The student tuning into themselves. Me, reading the student as they walk into the room, sensing their energy, making a quick assessment on what they may need today, and guiding them as a focused witness ready to pivot at any point when I can sense that may be necessary. Remaining sensitive at all times to the ever-changing landscape of the moving body. Having someone entrust me to bear witness is never something I take lightly. I become the audience, and being seen, feeling seen, is a vulnerable thing for the mover. It takes time, investment, trust, and willingness from all participants. 

Movement with Mindfulness

No movement is ever the same, so there cannot be a prescription. You will never be able to recapture the feeling of a movement you’ve had in the past. This ephemeral quality, the movement happens and is fleeting, requires you to be present in the first place or the experience is lost. You’ll never get it back. You’ll never feel it again. It can never be witnessed again. And if you don’t do the movement to begin with you’ll never get the opportunity back. This is what makes the experiences I foster and create feel so important. 

How do all of these ideas translate to my personal fitness and movement experiences? What makes one experience feel different from another? How does this influence the way I teach? This is what lacks in “just taking class” or “working out.” This is often why I feel so lonely when I roll out my mat at my house and follow along with a DVD: the level of connection and the shared experience. Though my body may be moving, my sense of belonging is absent. This has been a profound reflection for me as I think of the type of work I want to do going forward, both personally and professionally.

Moving Ahead

This past year I’ve been traveling with my husband, listening to my own body, bearing witness to my husband’s health conditions, and taking life day by day willing to pivot whenever necessary—even if that means big life changes, again. After having almost a year off from regular teaching, what I miss most is the relationships and togetherness. Helping and guiding others in their self-discovery. To make movement belong in their lives and in their bodies. For them to feel a deep sense of belonging. Competition and comparison have no space in my movement practice or my instruction. I’d rather teach ownership, compassion, capability, curiosity, and kindness to ones body. To help students abandon the fear of feeling seen—just as they are each day. 

If you’ve ever allowed me to stand in as witness, thank you for entrusting me. Your vulnerability and courage is one of my life’s greatest teachers. I hope you felt seen and encouraged. I hope you left with kindness towards your vessel and increased confidence for the paths ahead of you. I hope you found that along the way you were more capable than you imagined, and that being seen and putting yourself out there in the world did not have to be scary. You as you, just as you wonderfully are each day.

This is just a small glimpse as I look over my shoulder and what I carry with me as I start to look to the road ahead of the types of experiences I want to continue to offer. What movement opportunities I want to curate, how I want to contribute, and the type of world I want to witness and share. What I know for sure is that I will continue to move, create, contribute, and be seen. And I hope to continue to have thousands of opportunities in the future to be entrusted as a witness.

-Courtney Anne Holcomb

PC: Natali Herrera-Pacheco

Installation at the Trout Museum of Art

I am delighted to be one of the local artists selected to have my work exhibited in the 41st Annual SECURA Fine Arts Exhibition. This show exhibits works from 116 of Wisconsin’s finest artists of varying mediums. My piece, resisting phototropism is a dance for camera work that I created Fall of 2020. The work is installed on the third floor of the Trout Museum of Art. On June 5th, 2021, my husband Estin and I were able to attend the opening reception for the show. The exhibit can also be viewed virtually through the link below. To see the show, visit the Trout anytime from now through August 15th, 2021. I hope you enjoy the show. There is so much talent to be seen from Wisconsin artists around the state. Support your local museum and local artists.

June 5 – August 15, 2021
Main Gallery
In-Person and Virtual Exhibition

More information below:

https://troutmuseum.org/event/secura-fine-arts-exhibition-41/

Happy Earth Day!

In honor of Earth Day, I decided to release a video dance short. This piece, “Spring Thaw” includes all that Wisconsin Springtime has to offer. Tulips, sun setting, green grass, and that charming snowfall. Music is “Unforgettable” by Sundae + Mr. Goessl .

I hope you enjoy my new work.

-Courtney Anne

A New Work: A video dance made during the Coronavirus Pandemic

It’s been an odd year to be a performing artist. It’s also been an odd year to be a human. I’ve had more available time that ever this year to reflect on what my artistry is, what my personal aesthetic looks and feels like, and how I want to continue to share myself with the world. Enter this new work, created in these times, from these times, for these times.

A new camera dance work was in the making. This video dance premiered November 25th, 2020, and can be viewed here. Excited to share with you what creating has been like over the past 9 months.

The project was created by me this autumn, in true isolation fashion. No crew or other dancers, just me. My husband synthesized the music for the piece. All the video footage was self-shot using my iPhone, and the video clips edited and composed at home with iMovie. The setting, my community garden plot in Neenah, WI. The sunflowers, vegetables, plants, all grown and tended by my hands. A true, homemade project, that just is a reflection of our current realities, and that I hope speaks to you.

Creating is the part for me; the sharing is the part I hope feeds you. I hope you enjoy my new work “resisting phototropism”. Thank you for taking time to view. Consider messaging me to share any thoughts, reflections, or feelings on what comes up for you after viewing. This provides me with creative fuel.

–Keep pressing on, Courtney Anne Holcomb

For more insight into this work, you can read about a brief reflection I wrote and published in FSM. Magazine in the November 2020 issue .

The 920 Feature

I am so grateful to have been featured in the 920 Feature of the Appleton Monthly Magazine. This feature highlights people in the area that have unique jobs, passions, and interests. Learn more about what brought me to becoming a movement educator and Pilates instructor at the article below!

LAUNCHING: Dance Bright Workshop Series

Over the years I have worked with hundreds of dancers on both technique, choreography, and conditioning. I’ve said a lot of the same corrections over the years, seen a lot of the same injuries, and witnessed the gap in traditional dance training to teach the HOW TO of many corrections. The purpose of a dance class is to keep the class moving, which means there is not always time for teachers to break down body mechanics and explain the corrections they may be giving. That is why I’ve designed the Dance Bright Workshop Series.

Dance Bright is a workshop series that focuses on movement education and intelligent strength and conditioning specifically for dancers. The purpose of Dance Bright is to help dancers improve their body awareness, better understand their anatomy and alignment, and learn about proper muscle recruitment and release techniques.  These workshops dig deeper into specific concepts and corrections that come up often in dance classes, but that a dance class setting doesn’t always have time to fully explain or explore.  Dance Bright will help close the gap between what dancers are told they should be doing, and how they can do it.

Workshops are 2 hours and 15 minutes in length and combine an element of lecture, movement exploration, strengthening, and stretching.  The series is designed for dancers ages 12-adult.

Join us for our first workshop in the Dance Bright series, “Understanding our Hips and Core”, Wednesday, August 21st, 1:15-3:30 PM, located at Waveforms Pilates, 210 S. Commercial Street, Neenah, WI.

This workshop explores pelvic placement/alignment, proper core function and use, strengthening strategies for our hip stabilizers, as well as release techniques for tightness in the hip area. Through a combination of lecture, movement exploration, strengthening, and stretching, students will leave with an understanding of how to align and stabilize their hips to support the dynamic movements required while dancing.

Cost of workshop is $59 and includes a pinky ball and Franklin air ball for dancers to take home with them to incorporate the exercises and stretching strategies they learn at the workshop.

Pre-registration and payment is required by August 12th, 2019. Seats are limited! To reserve your seat or for question, reach out to Courtney Holcomb via phone (920) 740-3085 or e-mail to info@waveformspilates.com

The Dance Bright Workshop Series was designed by Courtney Anne Holcomb.  She is a professional dancer, choreographer, PMA®-Certified Pilates Trainer, and owner of Waveforms Pilates in Neenah, WI.  She received a BA in Dance, and brings over 15 years of dance and fitness instruction, 9+ years of Pilates training, and professional performance credentials.  She’s worked with dancers ages 2.5-adult to help improve their technique, alignment, confidence, and expression through movement.

Find the event on Facebook!

What Brought Me to Pilates – Finding Mobility, my Manifesto

-Courtney Holcomb

I always knew the I was designed for movement.  Having been a dancer since age three, I loved the feeling of my body traveling through space.   It wasn’t until I was a preteen that I realized that my body was so much tighter that I wanted it to be.  Though I moved, I felt stiff, and when I tried to move more, it felt rigid. Being someone who has always dealt with chronic low back pain as well as stiffness/rigidness throughout my whole spine, I operated in the world for years thinking that this was “simply how I was created” and I would have to learn to endure through the pain my whole life, and then, I found Pilates, at age 15. 

Hamstring 3 Oblique Twist on the Pilates Chair

Through the consistent practice of Pilates I have been able to create more mobility in my spine than I ever though possible. With all of the movement principles of Pilates working together–breathing, core activation, neutral pelvis, abdominal strengthening, lumbo-pelvic stability, spinal strength and mobility, scapular strength and mobility, alignment and posture analysis, release work, and stretching–I have felt more length, mobility, and strength in my body and spine than ever before and I have been able release years of chronic tension from my muscles and skeleton. I now feel I have access to more space in my joints and spine and I continue to work towards opening and accessing more of my body each time I practice Pilates and dance.

Re-patterning the body does not happen overnight, but there is a great reward associated with creating new muscle memory that facilitates optimal anatomical efficiency throughout the body, producing a pathway to operate with a sense of ease and availability to movement. Whether it be in a dance class, performance, or just walking around, or standing for a long period of time, Pilates grants me the ability to move properly from the body’s natural design. Joseph Pilates, who created the system in the early 1920’s stated, “It’s not about what you do, but how you do it.” Or as my dad always says, “Train smarter, not harder.” Yes, we have to work with what we have, but this should not be limiting. We DO have the capacity to change and transform our bodies, with time, patience, and proper practice.

Now for myself personally, now have been practicing Pilates for over 11 years and remain as engaged in the practice as when I began. I continue to see and feel changes within my body and make new discoveries with every class I take. Now, as a fully Certified Pilates Instructor, I get to share my passion for movement with the world.  It’s so exciting to share Pilates with others through teaching and sharing in the joy that others experience when they make new discoveries in their own bodies. Transformation is something wonderful to celebrate.

For more information on Pilates practice, or to schedule a free consulation, please e-mail me at: courtney.anne.holcomb@gmail.com

I would love to share my work with you.

The Pilates Reformer

Vocal Motion!

Working with show choirs always brings me back to the days!  I was a Neenah High School Act II, and Vintage member, and my fond memories of competing all of the Midwest for show choir was a highlight of my high school time.  This Fall I got to work with New London Middle School’s show choir Vocal Motion, and choreographed their competition show for this coming season–student empowerment with songs like “Brave”, “Cool Kids”, “Roar!”, and “The World is Ours”. 

An opener,  one boys number, one girls number, one ballad, one closer, and ONE extra song later, we had a whole show of choreography!  I had so much fun coming up with the movement and working with them over two-weekends, and it brought me back to my “glory days”.  For the record, I was a dancer who could carry a tune, not a singer who could get by on the dancing.  We called ourselves dancer-singers, not singer-dancers.  I wish them the best luck for their competition season this year! 

New London Middle School Vocal Motion is under the direction of Ms. Katie Levendusky.

Badger State Girl Choir has…Gone Country!

I had a great day yesterday working with the Badger State Girl Choir.  They had their annual summer choir camp, and in honor of their upcoming “…a little bit Country!” music Fall concert, I taught Line dancing to the middle and high schoolers, and square dancing to the little 2nd-4th graders.  Playlist included: “Mountain Music” by Alabama, “I Fall to Pieces” by Patsy Cline, “Mountain Rag” by Al Brundage, and “Arkansas Traveler” by American Square Dance Group to name a few.

Concert will be Saturday, October 17th, 2015, at First Presbyterian Church, Neenah, WI.  There may even be some dancing!