I just got back from Point Tap Festival 2014, a large tap-dancing Festival in non-other than Stevens Point, Wisconsin. Famous tap dancers from all over the United States attend and teach master classes for the 3-day festival. This year, we took classes from: Sara Reich, Mark Goodman, Ryan Casey, and Jeannie Hill. Above is a picture from the master class with Ryan Casey.
do not know me well, would not understand what a feat attending this festival
was for me. I had two semester of tap in college, and cried for the
beginning few weeks of each semester. For me, as a dancer who loves to
loft out of gravity, and be very upright, getting down and in
gravity to perform tap weight-shifts, and tap movements always proved
incredibly challenging for me. I have always loved watching tap dancing,
the musicality and percussive elements, and the groove of it
all, but never had classified myself as a tap dancer. This weekend I
learned a lot of new techniques to help me along the way, and began to refine a
lot of the rudimentary skills associated with tap dancing.
I will be teaching beginning tap at the Renaissance School for the Arts High
School, and am excited to transcend my new-found knowledge, and excitement
about tap dancing. Below is a video taken at the festival of Jeannie
Hill, my former professor and tap dancer extraordinaire, and I doing the end of
class combination. A few errors from me, but oh so much fun!
My new work, Insecurity, premiered at the New Works Festival in Wausau, WI, June 21st, 2014. This festival is put on annually by the non-profit organization, Introspect Arts. There were two performances, 11am and 6pm. I was one of 9 choreographers selected to create a new, political, choreographic work for this festival. Meet my cast above! These dancers had never been a choreographic work together before, and they all collaborated beautifully. We quickly created a harmonious ensemble, and worked together a few hours a week, over the course of 6-weeks. The cast was a blend of professional dancers, and high-school aged pre-professional dancers. This piece was inspired by George Orwell’s classic 1984, and is my commentary on the current security state within the United States of America.
There was a Q and A for the audience after the showings to ask choreographers about their works. There was a big buzz about my work Insecurity, and a lot of curiosity about what it was about (as well as a lot of interpretations!), how I crafted my use of silence, audio, and vocalization with movement, and the significance of the “ever-present” actor upstage.
Original music score created for the piece by: Estin Gee. Our helpful and stage-presence, Actor: Ken Stetzer. Choreography, costume, and lighting design: by me.
For a hand-recorded video of the 11am showing, see below.
I hope you enjoy, and would love to hear about your interpretation of the work!
I am currently working with 5 local dancers, ages 14-24, to create a New Work for the Introspect Arts New Works Festival 2014. I hand-selected 5 area dancers to be in my new choreographic work titled “In Security”. This past Wednesday was our first rehearsal, and we have 4 more schedule before our June 21st performance. Working with 5 dancers, none of whom have ever worked together before, and only 2 of whom I’ve choreographed work on before has been going GREAT! Movement is the common language that brings, even strangers, together. I’m excited to share some rehearsal footage within the next week, and to see the piece continue to come together. This Wednesday we will have our custom music score created by my fiancé, Estin Gee. Adding the music to our phrase material will add that extra layer to what we’ve already been creating.
I had the privilege to perform at the beautiful, Weill Recital Hall, in Carnegie this spring. I did movement accompaniment to a choral piece sung by the Vivace group of the Badger State Girl Choir. My 8-minute solo was accompanying a series of three civil war songs: Johnny Has Gone for a Soldier, When Johnny Comes Marching Home Again, and We’re Tenting Tonight. I had a beautiful blue Civil War gown that I wore with my tan jazz shoes. A stool helped frame the solo and tell a heartfelt narrative of a woman at home while her husband is away fighting in the war, paired with the sweet voices of girl choir, made for a worthwhile performance.